Bahamas is essentially a solo project of Afie Jurvanen from Toronto, who has backed up an impressive list of Canadian musicians including Hayden, Feist and the Stills with his guitar and piano. On the album, Pink Strat, there are appearances by friends including Leslie Feist, members of Zeus and the Great Lake Swimmers, while Robbie Lackritz was also intricately linked with the recording process (and presumably was the drummer for the Rolling Tundra Revue). Speaking of that show, I remember enjoying the set well enough despite never hearing any Bahamas beforehand, but definitely not being blown away. The album leaves me with a similar sentiment. In fact, regarding the show I slotted it in as "unoffensive, though also unenthralling, rock music" which I would say is also a fairly accurate description of the album, though I would now be hesitant to label it rock music, but rather find folk more accurate (the live show was mostly electric guitar, while the album is primarily acoustic).
Starting the whole thing off is Lonely Love which is a catchy and (relatively) upbeat song.. opening with simply vocals over an acoustic guitar, before some electric guitar comes in partway through. The following song sings "Thanking the Lord for blessing you with Hockey Teeth" which is an amusing, and very Canadian sentiment written over a short, downbeat guitar ditty. Southern Drawl does open with a sourthern feel, while For Good Reason is a stripped-down tune featuring some simple guitar picking and bare drumming.. it gets kind of boring and leads into You're Bored, I'm Old. Though it is slightly depressing on the lyrical side, the music is more perky than many songs in the midst of this album. Same goes for Sunshine Blues - a meeting of opposites that leans more towards the sunshine in a short, simply catchy and nice way. The rhymes in Already Yours work well over the steady beat. The next tune is filled out with piano, but has repeated and depressing lyrics - What's Worse? Before you know it, the good times have already rolled by in 95 seconds on Let the Good Times Roll which continues the lyrical theme of looking for (and not finding) love. On Try, Tried, Trying there is a great morphing chorus, with a tweak of the lyrics each time over sparse electric guitar. Til The Morning is sleepy but takes you to the final song.
The album takes on a simple format, and rather stripped down sound to accompany the looking-for-love-lyrics (who was it that said "99% of songs are love songs, and 99% of love songs are crap?"). Well this album definitely isn't crap, and is book-ended by some excellent cuts. As mentioned before, Lonely Love starts Pink Strat in style, but previously skipped is the great closing track Whole, Wide World. A new twist on the old parent-tells-child-about-love story, Afie speaks on the topic of searching for "the one" in a catchy manner that includes finger snap percussion. There's something to be said for an outstanding closing track, as it encourages one to play the album once more. Too bad there aren't more repeatable gems on this one.
Friday, June 12, 2009
Bahamas - the Pink Strat guitar
Sunday, April 05, 2009
Rolling Tundra Review-ed
Walked up to the River Run Center in time to catch the opening act, Bahamas. The walking scored me a free pin reading "Weak - Cons - Serve" since they are running a "Rock, don't drive" green tour. The River Run Center proved, once again, to be an exquisite concert venue, as was evidenced instantly when the two-piece took the stage. The sounds of their electric guitar and drums rang out clearly as they played unoffensive, though also unenthralling, rock music. The final song that included the hairless-headed (besides full-on-handlebar-moustached) drummer was easily the best, and the set ended with the white-jean and red-lumberjack-shirt-wearing guitarist/singer playing a song on his own.
The Constantines burst out with a rawkin' version of I Will Not Sing a Hateful Song which set a tempo that carried on through excellent rock tunes such Trans Canada, Hard Feelings and Hot Line Operator. Fronted by Bryan Webb and his uniquely appealing voice, the Cons really know how to bring it (along with an extra case of rock) for their live shows. Although their style is more suited to a cramped, sweaty dive bar where the beer flows freely, they still managed to make a solid impression in this large, formal theatre. The set did slow for a song on which John K. Samson joined the group to sing lead vocals before returning backstage. There were a couple more mid-tempo cuts in the midst of the set that meandered slightly too long, but using such hits as Night Time, Anytime (It's Alright) (as inscribed on the Ebar mensroom wall) they were able to amp the energy back up at the end to leave on a high point. In fact, it was the amp that did it - as a guitarist cranked all the dials on his amp during the last song and then picked up his guitar in a battle-axe fashion. For a moment I thought he was going to destroy the guitar as he began swinging it around over his head, until I realized he was creating phenomenal feedback to fit in with the rocking out that the rest of the band were doing. They left the stage to a standing O.
It was a near perfect set from Winnipeg's biggest indie export - The Weakerthans. They play live songs as though they were studio-produced, managing to reproduce their songs almost identically. This works however (especially with the sound quality at the River Run) because it allows you to more fully appreciate the songwriting abilities of this band. Plus, despite being Canada's most prolific lyricist, John K. Samson comes across as a completely humble and endearing fellow. The sold-out crowd hung on his every word, for both in-song and between-song banter. It is difficult to pick stand-out songs but to only name a few, I'd be forced to include Left and Leaving, Our Retired Explorer, Tournament of Hearts and both of Virtute's laments. However choosing the most unique solo of the night is a cinch. Beating out the One Hundred Dollars-t-shirt-clad trumpeter, was the pedal-steel player who grabbed a meter-plus-long flexible plastic tube and whirled it above his head, varying the pitch of the whistle by ever-so-slightly adjusting the speed with which he twirled it. Incredible!
Tremendous applause resounded throughout the theatre as the Weakerthans departed the stage and we jumped to our feet. The acoustics in the hall are so great that the few thousand of us sounded like a sold-out Madison Square Garden and we could not be denied an encore. After minutes of our hollering, John returned to the stage alone and broke into the much-demanded One Great City! which I'm sure satiated many people's desires (since I could hear them singing along). The full band rejoined him for another couple of songs before the Rolling Tundra Revue (II!) finished rocking, and rolled out of Guelph.
Taste of the Caribbean at Hillside
Update April 7th: Probable - apparently bands aren't as cryptic as I give them credit for.
Another band departs saying "See you at Hillside!" once again leaving us to wonder - As an entertainer or a patron? The last time it turned out to be a performer, we'll see if the same rings true for the two-piece band
Bahamas.
They are playing the Winnipeg Folk Fest which leads one to believe they may be on the festival circuit.
